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Finding the truth is not enough.
What we also have to find is justice.
                               ~Rigoberta Menchu
Sept. 2008
Thursday, 04 September 2008
MHS eNewsletter
September 1, 2008
the classical community of color in context
A Letter from the Executive Director
André Watts
Picture of the Month
Recent Recordings
Record Review ~ Legacy: works for bassoon by African-American composers
The Songs of the Sage
Grace Notes
Announcements
Who's Hot This Season?
Opportunities: Calls/Auditions/Jobs

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Many many thanks to our past donors and recently, Terence O. Bynoe, for his generous gift!! 
A Letter from the Executive Director
photo credit: Steve J. Sherman
photo credit: Steve J. Sherman

Dearest Readers,

Before the start of every new performance season (approx. September through June for most organizations), we here at MHS examine a list of nearly 700 national and international orchestra and opera companies to find out who of our classical artists of color is doing what, where and with whom.

We do this for a number of reasons, but mainly because: (1) it's nearly impossible to keep up with the thousands of individual artists out there--unless they send us their information, (2) the performances are mostly finalized, which helps when chronicling and analyzing entire seasons, (3) the venues are usually centrally-located and are wheelchair accessible, which facilitates our ticket giveaways, and (4) the artists have greater visibility, which benefits bloggers, reviewers, etc., which translates into wider audience impact followed by more gigs and therefore more MHS eNewsletter. See? :) That's not to say that we don't want to hear about/publish performances in smaller venues. We do! So please, tell us. Thank you. Digression concluded.

Okay, so we've only put a dent in the master list, but here's what we've found: Out of the 153 organizations that we've researched, there are twelve, yes 12, Andr
é Watts (pictured above) performances--three this month alone! So far, he's the most sought-after artist of the season, which means you have plenty of opportunities to see him perform. (Read about other hot artists below.)

We can't wait to see what else turns up and tell you all about it. We'll get back to work now. You enjoy this month's publication. 

Faithfully,
Rashida N. Black

Be part of the mission. Make a tax-deductible contribution. Or send checks payable to Myrtle Hart Society to: Myrtle Hart Society, 4800 S. Chicago Beach Drive, Suite 2008S, Chicago IL 60615. If you want to be included in an upcoming edition of the eNewsletter, just email This e-mail address is being protected from spam bots, you need JavaScript enabled to view it or click reply to the sender.

Myrtle Hart Society

André Watts
This equation states that one watt is the rate at which work is done when an object is moving at one meter per second against a force of one newton. By definition, the watt is the SI derived unit of power, equal to one joule of energy per second. In layman's terms, it measures a rate of energy, use or production. There are all types of watts--microwatt, milliwatt, kilowatt, megawatt, gigawatt, terawatt, etc.--which describe the power of energy. However, there is only one André Watts. His energy "can actually make the piano roar, sob, even giggle when the mood so demands." New York Times

Mr. Watts performs on Saturday, September 6 at 8 pm and Sunday, September 7 at 4:00 pm in the Neal Blaisdell Center with conductor Andreas Delfs and the Honolulu Symphony Chorus. Program ~ All Brahms: Academic Festival Overture, Symphony No. 3 in F and Piano Concerto No. 2 in B-flat.

Then, with conductor Paavo Järvi and the Cincinnati Symphony Orchestra. Program ~ Tchaikovsky: Festival Coronation March; Rachmaninoff: Piano Concerto No. 2; Rachmaninoff: Symphonic Dances. Friday, September 12 at 8:00pm and Saturday, September 13 at 8:00 pm.

And, in Bass Performance Hall with conductor Miguel Harth-Bedoya and the Fort Worth Symphony Orchestra on Friday, September 19 at 7:30 pm, Saturday, September 20 at 8:00 pm and Sunday, September 21 at 2:00 pm. Program ~ Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18; Jimmy Lopez: FIESTA!; and Respighi: The Pines of Rome.

Myrtle Hart Society

Picture of the Month

Recently spotted at Maya Angelou's 80th birthday party hosted by Oprah, pianist William H. Chapman Nyaho (right) sharing recordings of composer Fred Onovwerosuoke's Studies in African Rhythms with celebrated music magnate Quincy Jones (left). Nyaho's CD, ASA was just released on MSR Classics featuring the 'Studies.' Check it out!

Myrtle Hart Society

Recent Recordings

While going through some old files, I came across a 2007 article entitled Ignored and overlooked: Richard Greene's Black Composers Reference Guide by Andrew Quint published in Philadelphia Music Makers (Vol. 6, No. 4 Winter, pp 35-37). The article highlights Dr. Richard Greene's web site, Classical Music Recordings by Black Composers: a reference guide, which tracks recordings of "African Heritage" music. The site, which Greene started in 2001 from a print listing of CDs, lists "one hundred and forty composers alphabetically, reference resources and web links, a list of black musicians (by instrument) and conductors, as well as a calendar of pertinent musical events in the Philadelphia area for the current season." When you check out the site, be sure to leave a comment.


New recordings:
Blind Boone (John William Boone).  Various works, performed by pianist John Davis, who recently issued works by Blind Tom.  Newport 85678.    

Samuel Coleridge-Taylor.  The Nash Ensemble plays both the piano quintet and with Richard Hostford (principal clarinet of the BBC Symphony), the clarinet quintet.  Hyperion 67590.    

Barbara Hendricks as Euridice (with Anne Sofie von Otter as Orphée), the Monteverdi Choir and Lyon Opera, conducted by John Eliot Gardiner.  EMI 9161.    

Oral Moses narrates Honegger's Roi David (in English) with the Michael O'Neal Chamber Orchestra and Singers.  ACA 20098.     

Tania León (Bellarin; Singin' sepia; Axon; Arenas d'un tiempo; Satine; and Horizons).  Performances by various chamber ensembles, and the NDR Symphony, conducted by Peter Ruzicka.  Bridge 9231.    

Leo Brouwer's Concerto elegiaco has Friederich Wuttke (guitar) with the New Moscow Chamber Orchestra, conducted by Igor Zhukov -- Profil 8039.  And his Sarabanda de Scriabin and Toccata de Pasquini (along with Thelonious Monk's Round Midnight) are performed by a guitar ensemble on GHA 126.600.   

Kenneth Boulton, piano, plays Gottschalk's La savane on Cambria 1171.  This might be the time to correct statements that the composer was a creole of color.  Creole, yes.  Color, no.

Dominique-René de Lerma
Lawrence University

Myrtle Hart Society

Record Review ~ Legacy: works for bassoon by African-American composers

Legacy; Works for Bassoon by African-American composers
Albany TROY 1038 (2008)

Lecolion Washington Jr., bassoon
Carina Nyberg Washington, clarinet & soprano
Mark Ensley, piano

William Grant Still.  If you should go.  Song for the lonely.  Bayou home.
Adolphus Hailstork. Bassoon set.
Ed Bland.  One on one for bassoon and clarinet.
Ulysses Kay.  Sonata for bassoon and piano.
Ed Bland.  For bassoon.
Gary Powell Nash.  Deformation for bassoon and piano after J. S. Bach's allegro from sonata II in A minor for solo violin.
Ed Bland.  One on one for bassoon and virtual percussion.
Traditional Swedish folk song.  Uti vår hage.
Daniel Bernard Roumain.  Lecolion loops after Uti vår hage.

It will soon be forty years since the late D. Antoinette Handy issued an LP album of flute music by Black composers.  Joining in this early wave were the Oakland Youth Orchestra, Columbia's Black Composers Series, and Natalie Hinderas' piano anthology.  While there is plenty of piano music by Black composers (and Natalie's commissions added wonderfully to the repertoire), a volume of flute music was a surprise.  And now we have one featuring the bassoon.  Only one work was commissioned for this recording!  The others have been around waiting to be discovered and performed.

The works by Still were originally songs (arranged here by Alexis Still - no relation).  Although the words are missing, they are still songs, thanks to the soloist.  We are treated to three works by Ed Bland, one engaging the bassoonist's wife. Only two of the composers currently have faculty positions.  Dr. Hailstork is Eminent Scholar at Old Dominion University, and Gary Powell Nash is at Fisk University.

It was not long ago that I located the one-movement sonata by Ulysses Kay, thanks to the staff of the Sibley Music Library at Eastman.  The title is missing from all the literature and, although written about the time he studied with Hindemith, I've encountered no indication of a performance prior to the one recently given by my colleague at Lawrence, Monte Perkins.  A sturdy sense of craft is already present in this early work.

The longest of the pieces is by the youngest composer, Dr. Roumain, and is among the most interesting works by this figure.  Of Haitian ancestry, he has found a stimulus in hip hop and presumably that is present here, but not so overtly.  He has the clarinet and bassoon looping each other in a way that is sonically fascinating.  The work is in three movements, lasting about 20 splendid minutes.

This CD exemplifies the full range of the bassoon, all of which Mr. Washington commands.  He has given a focus to some fine music (with liner notes specifying publisher information).  The potential for repertoire innovation should be seriously noted.  And thanks to Albany Records for yet another splendid CD!

Dominique-René de Lerma
Lawrence University

Lecolion Washington, Jr. is a faculty member at the University of Memphis. You may purchase his album here.
Myrtle Hart Society

The Songs of the Sage

Beethoven Ninth

Of embellished norms
And established mores,
Reach deep within
For the resolve befitting
A Beethoven Ninth.

Spell the Augmented Fifth,
The Neapolitan Sixth;
The Diminished Seventh
For whom must they resolve?

And faced with choice,
Is the laddened 9th
Preferred over the chord
Of the barrened  2nd?

Or the larger debate:
Who roams still
In tertian sphere
When by precept
Octatonian muses wail:
"A scale tempered
Is a scale engendered."

Welcome to my world
Of zillion ragas,
Hardinos and donkilos;
Where harmonies
Of the universe
Palpate - entrapped,
Yet pulsating in an infinitude
Of rhythmic permutations -

Haydn would have been proud:
For he always sneaked
A metric curveball...
But be mindful: for Beethoven
Mother Earth's Rhythm
Was a natural, mystic vibration...

Reach within, my love,
For the resolve befitting
A Beethoven Ninth!

- Derf Erkab  

To reproduce poems from this column call
314-652-6800 or send email to: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it
Myrtle Hart Society

Grace Notes
Maestro Paul Freeman conducts the Chicago Sinfonietta with guest artists: Raul Jaurena, bandoneon; Elizabeth Norman, soprano; Thomas Dymit, tenor; Philip Kraus, baritone; Apollo Chorus of Chicago. Program ~ Shostakovich: Gadfly Overture, Piazzolla: Adios Nonino (arr. by Jaurena), Villoldo: El Choclo (arr. by Jaurena), Orff: Carmina Burana. Sunday, September 21 at 6:00pm (note time), Dominican University, 7900 W Division, River Forest and Tuesday, September 23 at 7:30pm (note day), Orchestra Hall at Symphony Center, 220 South Michigan Avenue, Chicago.

The Marcus Roberts Trio performs with conductor Theodore Kuchar and the Fresno Philharmonic Orchestra in William Saroyan Theatre on Saturday, September 27 at 8:00 pm and Sunday, September 28 at 2:30pm. Guest Artists: Marcus Roberts, piano, Roland Geurin, bass and Jason Marsalis, drums. Program ~ Copland: Billy the Kid Suite, Fortner: Fantasma (World Premiere), Gershwin: Variations on "I've Got Rhythm", Adams: The Chairman Dances, Creston: Symphony No. 2 and Gershwin: Rhapsody in Blue.


Soprano Measha Brueggergosman performs with the Minnesota Orchestra on Friday, September 26 at 8:00 pm and Saturday, September 27 at 8:00 pm. Conductor Osmo Vänskä. Guest artists include Lise de la Salle, piano, Christopher Maltman, baritone and the Minnesota Chorale. Program ~ Sibelius: The Oceanides, Ravel: Piano Concerto in G, major and Vaughan Williams: A Sea Symphony.


Soprano Nicole Cabell performs with the North Carolina Symphony on Friday, September 12 at 8:00 pm and Saturday, September 13 at 8:00 pm in Meymandi Concert Hall, Raleigh. Program ~ Robert Ward: City of Oaks (World Premiere), Barber: Knoxville, Summer of 1915, Bernstein: Symphonic Dances from West Side Story and Dvorak: Symphony No. 9, "From the New World."


Baritone Jubilant Sykes performs with the Pacific Symphony Orchestra (Calif.) on Saturday, September 13 at 8:00 pm in Renée and Henry Segerstrom Concert Hall, Orange County Performing Arts Center. Conductor Carl St.Clair. Guest artists: Christopher Bengochea, tenor, Christòpheren Nomura, baritone. Program ~ Aaron Copland: Fanfare for the Common Man, Aaron Copland: Old American Songs, Trad.: He's Got the Whole World in His Hands, Aaron Copland: Suite from Billy the Kid, Alva Henderson: From Greater Light (world premiere).


Tenor Vinson Cole performs with the Seattle Symphony on Thursday, September 25 at 7:30 pm, Saturday, September 27 at 8:00 pm and Sunday, September 28 at 2:00 pm. Gerard Schwarz, conductor. Guest artists: Lauren Flanigan, soprano, Jane Eaglen, soprano, Jane Giering-De Haan, soprano, Nancy Maultsby, alto, Jane Gilbert, alto, Clayton Brainerd, bass-baritone, Harold Wilson, bass, Northwest Boychoir (NWBC), Seattle Pro Musica and Seattle Symphony Chorale. Program ~ Mahler: Symphony No. 8 in E-flat major, "Symphony of A Thousand."


Baritone Donnie Ray Albert makes his Kentucky Opera debut in Giuseppe Verdi's Otello based on the stage play by William Shakespeare on Friday, September 26 at 8:00 pm and Sunday, September 28 at 2:00 pm in Kentucky Center, Whitney Hall. Conductor: Steven Crawford. Guest artists: John Mac Master, Kelly Kaduce, Christian Reinert, Benjamin Robinson, Courtney McKeown, Kenneth Shaw and Conor Angell.


Mezzo soprano Tichina Vaughn makes her Los Angeles Opera debut in Il Tabarro ("The Cloak") directed by award-winning film directors William Friedkin and Woody Allen on Saturday, September 6 at 6:00 pm; Thursday, September 11 at 7:30 pm; Sunday, September 14 at 2:00 pm; Wednesday, September 17 at 7:30 pm; Sunday, September 21 at 2:00 pm; Tuesday, September 23 at 7:30 pm; and Friday, September 26 at 7:30 pm. 


Soprano Alyson Cambridge performs in Giacomo Puccini's La bohème with Lyric Opera of Kansas City on Saturday, September 13 at 8:00 pm; Monday, September 15 at 7:30 pm; Wednesday, September 17 at 7:30 pm; Friday, September 19 at 8:00 pm and Sunday, September 21 at 2:00 pm. Artists include Michael Fabiano, Daniel Belcher, Katrina Thurman and Matthew Trevino.


Thomas Wilkins conducts Detroit Symphony Orchestra on Friday, September 26 at 8:00 pm and Sunday, September 28 at 3:00 pm. Guest artist Karl Pituch, horn. Program ~ Glière: Horn Concerto and Sibelius: Symphony No. 2 in D major.


Soprano Talise Trevigne makes her role debut and company debut as Gilda in Giuseppe Verdi's Rigoletto with Anna Livia Dublin International Opera Festival on September 7, 9, 11 & 13 at 7:30 pm in Gaiety Theatre, Dublin 2.


Angela Arnold, soprano and Jeffrey Sykes, piano will perform select songs by Wolf, Chausson, Debussy, Richard Strauss and American composers William Grant Still, Margaret Bonds and Kirke Mechem at the Art Song: 56th Annual Noon Concert Series on Wednesday, September 24 at 12:15 pm in Hertz Concert Hall, University of California, Berkeley.
Ogunquit Performing Arts announces its Festival of the Arts featuring Scott Joplin's opera Treemonisha (1910) in a special film presentation on Monday, September 8 at 7:00 pm in the Dunaway Center.

DBR (aka Daniel Bernard Roumain) is known for writing unique classical music infused with rock and electronic beats. His latest creation brings to life Abraham Lincoln and Charles Darwin, two men who changed the course of history and were born on the same day in 1809. Two hundred years later, DBR's masterpiece honors Lincoln and Darwin and imagines their lives and relationships through music. Don't miss this world premiere performance on Saturday, September 13 at 7:30 pm in Kirkland Fine Arts Center.


Lesa Terry and the Women's Jazz Orchestra will perform Guardians of Sound and Spirit featuring "compositions by Mary Lou Williams, Margaret Bonds, Lesa Terry, and Kimberly Diaz draw on African, African American, and Afro-Latin genres, highlighting the importance of these cultural roots, and demonstrating the intimate connection between sacred music and jazz" on Friday, September 26 at 7:30pm in First United Methodist Church of Santa Monica, 1008 11th Street, Santa Monica, CA  90403. http://www.santamonicaumc.org
Myrtle Hart Society

Announcements

Congratulations to harpist Robbin Gordon-Cartier on her recent journey to Bogota, Columbia where she conducted masterclasses for harp students from the National University of Colombia, Juan N. University Corpas, the University of Calda, Unimusic, Batauta Manizales and Batuta Bogota. She was chosen by the international Salvi Foundation to replace ill French harpist, Emmanuel Ceysson. Read more.


Congratulations to Four Strings Violin Academy on their successful second season. Under the direction of violinist Mariana Green-Hill, the Boston-based summer program has grown from a two-week violin-only session with eight faculty members to a full four-week string (violin, viola and cello) program with twelve faculty members. The 31 students' instruction involved practice, scale and technique class, private lessons, theory and history class, orchestra sectionals and group class, Theater Arts and Chorus, and solfege and rhythmic training, which included reading multiple clefs and performing a Bach Choral in memory of the late Patricia Zander.  Select students' performed two adaptations of Tchaikovsky's Peter and the Wolf and attended master classes with violinists Diane Monroe and Sophie Vilker. Dedicated faculty included violinists Mariana Green-Hill, Naira Underwood, Pedro Rincon, and Betsy Hinkle; violinist/violist Ashley Vandiver and Elena Rojas, violist Jason Amos; and cellists Courtenay Vandiver, Jeremy Harman, and Aristides Rivas. Dr. Andrew Goodridge taught Theory and History, and Sharon Robinson-Byrd taught Theatre Arts. Thanks to the major donors whose generous gifts provided students with scholarships for summer instruction: Susanna M. Porte, Richard O. and Rebecca R. Hawkins, Damione Lewis and Silvana Masiero-Lewis, Marcus A. Thompson, Benjamin Zander and anonymous. For more information, contact Mariana Green-Hill at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it or (917) 916-5027.


"MUSIC AND THE ARTS: STILL OUR ONLY FUTURE"

"Music and the Arts: Still Our Only Future"

A William Grant Still Tribute Conference

November 19-22, 2009

Historic Downtown Natchez, Mississippi

Over 400 prominent music educators from colleges, universities, and conservatories throughout the United States and abroad are expected to attend this inaugural event.

http://williamgrantstill.com/conferencemission/
Available resource: Dictionary of African Composers. The site takes a while to load, so be patient. Once it comes up, you'll be able to search alphabetically through decades of composers, read their biographies and access their discographies. You may send additions, corrections and suggestions to Alexander Johnson [ This e-mail address is being protected from spam bots, you need JavaScript enabled to view it ].
The Festival of African & African-American Music: Tribute to Great African Composers will take place February 12-15, 2009 in St. Louis, Missouri USA. Click here for the tentative concert/recital schedule. The multi-day event will feature performances by McCluer North High School Orchestra, Winneba Youth Choir of Ghana, Silvia Belfiore (piano); Rachel Barton Pine (violin), Wendy Hymes (flutes), Darryl Hollister (piano), Marie Jureit (piano), Althea Ifeka (oboe), Rashida N. Black (harp), Calvert Johnson (organ), Dawn Padmore (soprano), William-Chapman Nyaho (pianos), The Equinox Chamber Players (woodwind quintet), Marlon Daniel, conducting the New Horizons Studio Orchestra AND MORE!!

Call Dr. Wendy Hymes or Ms. Ablawa Reine at 314-652-6800 for registration and general logistics questions. (Scholarly papers, lecture-recital proposals no longer accepted.)

Registration: $100 ($75 if pre-registered online before September 30, 2008).
Students, $55 ($40 if pre-registered online on or before September 30, 2008).


ATTENTION CHORAL DIRECTORS AND SINGERS 

Community Renewal Chorus and All God's Children will sponsor a music workshop designed for the personal enrichment of Choral Directors, Music Educators, Community Choral Singers and Church Choir members. Dr. Rollo Dilworth, guest clinician, will present fresh and innovative techniques for achieving choral artistry. Please share this message throughout the music community. Don't miss this excellent opportunity for you to find ways to jump-start your fall season. Directors are encouraged to bring your choir members; choir members are encouraged to bring your directors. Saturday, September 20 at 10:00 am - 1:00 pm in the Merit School of Music, Joy Faith Knapp Music Center, 38 South Peoria Street, Chicago, IL.

Dr. Rollo Dilworth is an active conductor, educator, and clinician who has taught choral music at the elementary, secondary, and university levels. He is a contributing author for the Essential Elements for Choir textbook series, published by the Hal Leonard Corporation/Glencoe Publications, and for "Music Express!" teachers magazine. His research interests are in the areas of African-American music and music education curriculum and instruction. Dr. Dilworth is an award-winning composer, his choral compositions being part of the Henry Leck Choral Series published with Hal Leonard Corporation and Colla Voce Music Company. His performing endeavors have taken him to Europe, Asia, Africa, and Australia.


Last month, MHS announced the release of a new choral collection, Songs of Africa, compiled and edited by Fred Onovwerosuoke. This month, we are pleased to announce the accompanying CD!

Songs of Africa
offers an exciting SATB collection of 22 diverse African choral music that every singer, choral director, music educator, and enthusiast will find invaluable. Fred Onovwerosuoke and the St. Louis African Chorus have transcribed and created these arrangements which represent a wide spectrum of Africa's regions and cultural practices. The songs cover subjects such as spirituality, religion, community, work, and play, and are selected from many African countries including Nigeria, Ghana, Congo, Benin Republic, South Africa, Namibia, and Gambia. They offer not only a welcome addition to choral repertoire but also a refreshing alternative for concert settings and church services. This collection includes English translations, notes on performance practice and cultural context, a pronunciation guide, and, where accompaniment is needed or suggested, some accessible percussion charts. The promotional CD compilation of recordings from concerts by diverse choirs from around the world of the music contained in this collection is available from the publisher.
Myrtle Hart Society

Who's Hot This Season?

As mentioned above, we've researched just 1/4 of our list of major music institutions to find out who can you expect to see listed in this publication and hear on stage this season:

Adina Aaron    Adolphus Hailstork    Alfred Walker    Alyson Cambridge    Amadi Hummings    André Watts    Angela Brown    Angela Simpson    Anthony Pattin    Armon Golliday    Arthur Woodley    Ashley Howard Wilkinson    Awadagin Pratt    Brandon George    Branford Marsalis    Brasil Guitar Duo    Charles Floyd    Chelsea Tipton III    David Baker    David Michael    DBR    Denyce Graves    Derrick Parker    Donnie Ray Albert     Duke Ellington    Ebony Strings    Elena Urioste    Eric Greene    Eric Owens    Everett Jones   Fikile Mvinjelwa    George Walker    Geraldine McMillian    Gordon Hawkins    Gregg Baker    Guillermo Figueroa    Harlem Quartet    Herbert Martin    Imani Winds    James Depriest    Janice Chandler-Eteme    Janinah Burnett    Jeffrey Mumford    Jermaine Smith    John Wesley Wright    Jonita Lattimore    Jubilant Sykes    Karen Slack    Katherine Jolly    Kenneth Overton    Keron Jackson    Kevin Deas    Kevin Short    Kimwana Doner    Kishna Davis    Laquita Mitchell    Lawrence Brownlee    Leon Bates    Leon Williams    Leslie B. Dunner    Lester Lynch    Lisa Daltirus    Marcus Roberts Trio    Margaret Bonds    Marietta Simpson    Mark Rucker    Marquita Lister    Mary Elizabeth Williams    Measha Brueggergosman    Morenike Fadayomi    Nicole Cabell    Nmon Ford    Norwood Robinson    Nouveau Chamber Players    Patrice Jackson    Phumzile Sojola    Ritz Chamber Players   Robert Ray    Rodrick Dixon    Roque Cordero    Russell Thomas    Samuel Coleridge-Taylor   Scott Joplin    Sphinx Chamber Orchestra    Stewart Goodyear    Tai Murray    Talise Trevigne    Terrence Wilson    Terry Cook    Thomas Wilkins    Tichina Vaughn    Timothy Jones    Tracie Luck    Ulysses Thomas    Victor Ryan Robertson    Vincent Davis    Vinson Cole    WC Handy    William Eddins    William Grant Still    William H. Caldwell    William Henry Curry    Willie Anthony Waters

and many more!! Please support not only the soloists and headliners, but also the season-round members of music organizations.

Myrtle Hart Society

Opportunities: Calls/Auditions/Jobs

AWARDS

Pro Musicis International Award Program

Awarded to solo musicians who demonstrate extensive classical training, exceptional talent and an unusual ability to communicate their gifts. Winners are given performance opportunities and career development services. The Pro Musicis experience helps artists transform their relationship to their talent; beyond aiming for successful careers, they become committed to a lifetime of music making. For more information, contact Mr. John E. Haag, Executive Director. Phone: (212) 787-0993 Email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it


SCHOLARSHIP/COMPETITION

Deutsche Opera Berlin Scholarship Program
An annual scholarship competition for American singers to study at one of the world's most prestigious opera houses, Deutsche Oper Berlin in Germany. During the residency, the recipients will receive advanced training and professional experience singing roles in Deutsche Oper productions. Exact Deadline 2/12/2009. Ideal Contact Month for New Application and Guidelines: December. For more information, contact Ms. Elizabeth Walbrol, Executive Director. Phone: (212) 974-1881. Email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Founded in 1955, Young Musicians Foundation (YMF) is devoted to preserving the classical music heritage by providing performance opportunities; financial assistance and community outreach programming that contributes to the personal, academic and artistic development of youth from all socio-economic and ethnic backgrounds. YMF is committed to the belief that music unifies a community and is a universal language vital to keeping classical music alive and to the development of audiences that include young listeners.

The BMI Foundation, Inc. announces two opportunities:
Pete Carpenter Film Composing
Fellowship
The Pete Carpenter Fellowship gives aspiring TV and film composers the opportunity to work with the eminent composer Mike Post at his studio in Los Angeles. For more information, contact Ms. Linda Livingston, Director. Email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

The Lionel Newman Conducting Scholarship gives young conductors the opportunity to work for a three-year period with the Los Angeles Young Musicians Foundation Debut Orchestra. This includes not only the opportunity to work with well-known conductors but to conduct works independently. This e-mail address is being protected from spam bots, you need JavaScript enabled to view it


APPRENTICESHIP PROGRAMS

National Auditions Merola Opera Program, San Francisco Opera

Merola Opera Program is one of the oldest and most prestigious training programs in the world for young artists pursuing professional opera careers. Founded in 1957 and named for San Francisco Opera's first General Director, Gaetano Merola, the Merola Opera Program has helped launch the careers of gifted young singers, coaches, conductors and stage directors from around the globe. Phone (415) 565-6427. Email This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Looking for an orchestra job? Need to fill a position? Musical Chairs.


ARTS ADMIN

Development Records Assistant (PT)
The Perlman Music Program, New York NY
The Perlman Music Program provides world class training to exceptionally talented music students. Focused summer and winter sessions are designed to provide students with a supportive and noncompetitive environment in which to develop and grow, while frequent events throughout the year provide students continuity and a sense of community. The Development Office is seeking a part-time Development Records Assistant to work 24 hours a week.  This individual is primarily responsible for the maintenance and support of the Raiser's Edge (RE) database. Compensation is $15-$18 an hour depending on experience.  Please send a cover letter and resume to This e-mail address is being protected from spam bots, you need JavaScript enabled to view it .  No phone calls please.

Development Assistant
Brooklyn Academy of Music, Brooklyn NY
Brooklyn Academy of Music (BAM), an internationally recognized presenter of contemporary performing arts and cinema, seeks a full-time Development Assistant to provide support to the Vice President of Development. Compensation: The salary for this position is in the low $30K per year plus a full benefit package. To apply, complete an application at http://brooklynacademy.appone.com/  

Intern: New York State Music Fund
Rockefeller Philanthropy Advisors, New York NY
Rockefeller Philanthropy Advisors has an opening for 1-2 interns to work as research assistants on a grant cluster evaluation of the New York State Music Fund.  This program awarded about $36 million in grants to over 400 organizations to promote the availability and accessibility of contemporary music throughout NYS.   While the schedule is flexible, the interns must be able to commit at least 20 hours per week through mid-December.  These are paid internships, but the size of the stipend depends on the level of experience, commitment and duration. See www.rockpa.org/music for more information about the New York State Music Fund grant program guidelines. Submitting Resumes: Interested candidates should email a cover letter of interest and a resume as soon as possible to: Ezra Vazquez-D'Amico, Special Projects Consultant, Rockefeller Philanthropy Advisors, This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Marketing/Development Interns
American Symphony Orchestra, New York NY
The American Symphony Orchestra offers semester-long unpaid internships to graduate students, undergraduates, and recent graduates in the areas of Marketing and Development. As part of Lincoln Center Presents Great Performers, the American Symphony Orchestra performs unique and imaginative programs, connecting music to art, history, politics, and literature. In addition to its main subscription series at Lincoln Center, the ASO presents a lecture/concert series with audience interaction at Symphony Space called Classics Declassified. It is also the resident orchestra of the Richard B. Fisher Center for the Performing Arts at Bard College, where it performs in a winter concert series and during the summer at Bard SummerScape and the Bard Music Festivals. To apply: Please submit the following: professional cover letter, indicating your earliest available start date and latest end date, and a professional resume. Please include your grade point average on your resume. Application should be submitted to Frank Impelluso, Development Associate, at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it . No phone calls please.

Internships
Symphony Space, New York NY
Symphony Space, a two-theatre, not-for-profit performing arts center at 95th St & Broadway in New York City, seeks interns for our 2008-09 season. Internships are available in the following departments: literary (2 internships), performing arts, artistic administration, marketing, development (2 internships), theatre booking/film, business administration, accounting, and production/tech. For full descriptions, visit our website at: www.symphonyspace.org. In addition to working in specific departments, interns participate in weekly career development seminars, with guests professionals from the arts and culture field. Internships are 30 hours per week. Stipend is $125 p/w. No housing or work visas. To apply, send resume and cover letter to Jenny Clarke, Internship Program Coordinator: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it (no calls). Include details of which internship you are interested in.

Grantwriter
New Jersey Performing Arts Center, Newark NJ
The Grantwriter is a key player in a highly-effective and fast-paced development office at a premier performing arts organization.  The job requires excellent writing and comprehension skills and entails creating proposals, reports and acknowledgements to help strengthen NJPAC's relationships with current and new donors--primarily foundations and government entities.  The Grantwriter maintains an accurate calendar of deadlines in Raiser's Edge related to foundation and government proposals; gathers information cross-departmentally such as program details, digital images, and financial data; and writes proposals and reports. Interested candidates should send a letter of interest and resumé to: New Jersey Performing Arts Center, Human Resources Department Code: GW, One Center Street, Newark, NJ 07102. E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it . Fax: 973-642-5484

Associate Director, Special Events, Lincoln Center Corporate Fund
Lincoln Center for the Performing Arts, Inc., New York NY
Reporting to the Director, Lincoln Center Corporate Fund, this position is responsible for executing all Corporate Fund events, including, but not limited to, donor appreciation dinner series, donor cultivation events, two major fundraising galas, and Leadership Committee and Real Estate & Construction Council meetings. If you would like to be considered for this position, please send your resume, salary requirements, and cover letter to: Human Resources, 70 Lincoln Center Plaza, NY, NY  10023. Email:  This e-mail address is being protected from spam bots, you need JavaScript enabled to view it Please write ‘Associate Director, Special Events' in the subject line of your email.

US Sales Rep From The UK Needed ASAP (United States)
Amadeus Home Music School, New York NY
Please note: You must be from the UK and living inside the United States
Earn $300-$800 per day. Please email resume to: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Hiring FUNdamentor's
FUNdamentals of Music and Movement
Hiring Part-time Music and Movement Instructors in NYC, Westchester & Northern New Jersey -Requires acting/improv and basic singing abilities, previous teaching experience, love for children, basic yoga skills and physical flexibility, dependability, and dependable transportation. Location and time of auditions to be announced if your resume is accepted. Please send resume to This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Open Call for Performers, Musicians and Artists
D.u.m.b.o Arts Festival, Brooklyn NY
OPEN CALL FOR PERFORMERS, MUSICIANS AND ARTISTS to rent space on scaffolding as part of a site specific art project for the D.u.m.b.o Arts Festival on Sep 26th, 27th, and 28th. Scaffolds are available from one hour to one day, in prime locations around D.u.m.b.o. This project is in association with DAC and Triangle Arts Residency. Each 'tenant' may have one or two platforms to utilize. Each platform is approx. 3' x 5' and range from 4 feet high to 6 feet high. Contact This e-mail address is being protected from spam bots, you need JavaScript enabled to view it  or This e-mail address is being protected from spam bots, you need JavaScript enabled to view it  for details and application process. Deadline September 7.

Myrtle Hart Society


About us:
The Myrtle Hart Society (MHS), a tax-exempt 501(c)(3) educational organization, was founded to promote positive images and self-concepts of people of African descent, to promote the classical community of color and to develop new audiences for classical music among people of color.

We use electronic and other media to "illuminate the accomplishments of classical musicians of color" and to help encourage increased participation in the musical arts through the mediums of education, research and performance. This helps to nurture and maintain higher standards of artistic excellence among our musicians and to forge new partnerships with orchestras and arts organizations across the United States.

Our membership includes classical instrumentalists, vocalists, composers and conductors of African descent from Asia, Africa, North America, South America, Europe, and the Caribbean.
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