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What we also have to find is justice.
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Books
Sunday, 25 March 2007

Abbott, Lynn and Doug Seroff. Out of sight: the ride of African American popular music, 1889-1895. Jackson: University Press of Mississippi, 2002.

 

Abdul, Raoul. Blacks in classical music: a personal history. New York: Dodd, Mead, 1977.

 

Bean, Hatch, and Brooks McNamara. Inside the minstrel mask: readings in nineteenth-century blackface minstrelsy. Hanover, NH: Wesleyan University Press, 1996.

 

Carter, Madison H. An annotated catalog of composers of African ancestry. New York: Vantage Press, c1986.

 

de Lerma, Dominique-René. Reflections on Afro-American music. [With contributions from Richard L. Abrams and others.] Ohio. Kent State University Press [c1973]

 

Delgado, Richard, ed. Critical race theory: the cutting edge. Philadelphia: Temple University Press, 1995:80-81, 146.

 

Du Bois, W. E. B. The souls of black folk. New York: New American Library, 1903 [2003].

---. Dusk of dawn. Millwood, N.Y.: Kraus-Thomson Organization, 1940 [2002].

 

Fleming, Beatrice J. (Beatrice Jackson). Distinguished Negroes abroad. Washington, D.C.: Associated Publishers, 1946.

 

Floyd, Samuel A. and Marsha J Reisser. Black music biography : an annotated bibliography. White Plains, N.Y.: Kraus International Publications, 1987.

 

Floyd, Samuel A., ed. Black music in the Harlem Renaissance: a collection of essays. New York: Greenwood Press, 1990. 

---. The power of Black music: interpreting its history from Africa to the United States. New York: Oxford University Press, c1995.

  

Greenawalt, Kent. Discrimination and reverse discrimination. New York: Knopf, c1983.

           

Guédé, Alain. Monsieur de Saint-George : virtuoso, swordsman, revolutionary, a legendary life rediscovered. translated from the French by Gilda M. Roberts. New York: Picador, 2003.

 

Handy, D. Antoinette. Black conductors. Metuchen, N.J.: Scarecrow Press, 1995. 

---. Black music: opinions & reviews. Introd. by Edgar A. Toppin. Ettrick, Va.: Distributor BM & M, c1974.

 

Hare, Maud Cuney, 1874-1936. Negro musicians and their music. 2nd ed. New York: Da Capo Press, 1974.

 

Horne, Aaron. String music of Black composers: a bibliography. New York: Greenwood Press, 1991.

 

Johnson, Francis, 1792-1844. A choice collection of the works of Francis Johnson.  Compiled, edited, and annotated by Charles K. Jones and Lorenzo K. Greenwich II. New York: Point Two Publications, [1983]-1987, c1982-c1987.

   

Johnson, James P. (James Peter). Bibliographic guide to the study of Afro-American music. [Washington, D.C.]: Howard University Libraries, Consciousness IV, [1973]

 

Kmen, Henry A. Music in New Orleans: the formative years, 1791-1841. Baton Rouge: Louisiana State University Press, 1966.

 

La Brew, Arthur R. Studies in 19th century Afro-American music. Arthur La Brew, 1976.

---. Selected Works of Francis Johnson: A study in Military and terpsichorean history. Arthur La Brew, 1977.

 

Locke, Ralph P. and Cyrilla Barr. Cultivating music in America: women patrons and activists since 1860. Berkeley: University of California Press, 1997.

 

Morgenstern, Dan. Living with jazz. Ed. Sheldon Meyer. New York: Pantheon Books, 2004.

 

Moses, Wilson Jeremiah, ed. Classical Black Nationalism: from the American Revolution to Marcus Garvey. New York: New York University Press, c1996: 127.

 

Osofsky, Gilbert. The burden of race: a documentary history of Negro-white relations in America. New York: Harper & Row, 1967.

 

Ownby, Ted, ed. Black and white cultural interaction in the antebellum South. Jackson: University Press of Mississippi, 1993.

           

Panton, Clifford D., Jr. George Augustus Polgreen Bridgetower, violin virtuoso and composer of color in late 18th century Europe. Lewiston, N.Y.: E. Mellen Press, c2005.

 

Peress, Maurice. Dvořák to Duke Ellington: a conductor explores America's music and its African American Roots. Oxford; New York: Oxford University Press, 2004.

 

Philogène, Gina, ed. Racial identity in context: the legacy of Kenneth B. Clark. Washington, DC: American Psychological Association, 2004: 35-49.

 

Radano, Ronald Michael. Lying up a nation: Race and Black music.Chicago: University of Chicago Press, 2003.

 

Riis, Thomas Laurence. Just before jazz: Black musical theater in New York, 1890-1915. Washington: Smithsonian Institution Press, 1989.

 

Roach, Hildred. Black American music: past and present. Boston, Crescendo Pub. Co. [1973], 1992.

 

Rublowsky, John. Black music in America. New York: Basic Books, 1971.

 

Saffle, Michael, ed. Music and culture in America, 1861-1918. New York: Garland Pub., 1998.

 

Simmons, Williams J., Men of mark: eminent, progressive and rising. [Microform]. Cleveland, Ohio: G.M. Rewell & Co., 1887, 451-452.

 

Small, Christopher. Music, society, education : a radical examination of the prophetic function of music in Western, Eastern and African cultures with its impact on society and its use in education. London: Calder, 1977.

---. Music of the Common Tongue: survival and celebration in Afro-American music. London: J. Calder; New York: Riverrun Press, 1987.

 

Southern, Eileen. The Music of Black Americans: a history. New York: W.W. Norton and Company, Inc., 1971 [1997].

---. Biographical dictionary of Afro-American and African musicians. Westport, Connecticut: Greenwood Press, 1982.

 

Stefancic, Jean and Delgado, Richard, eds. Critical race theory: an introduction. New York: New York University Press, c2001: 21, 103.

 

Trotter, James M. Music and some highly musical people. Boston, Lee and Shepard; New York, C. T.: Dillingham, 1878, 1881.

 

Vann, Kimberly R. Black music in Ebony: an annotated guide to the articles on music in Ebony magazine, 1945-1985. Chicago: Center for Black Music Research, Columbia College, c1990.

 
 
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