| Articles |
| Sunday, 25 March 2007 | |
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Allen, William Duncan. “An Overview of Black Concert Music and Musicians in North California from the 1940s to the 1980s.” Black Music Research Journal. Spring, 1989. Vol. 9, No. 1: 81-92.
Badger, R. Reid. “James Reese Europe and the Prehistory of Jazz.” American Music. Special Jazz Issue. Spring, 1989. Vol. 7, No. 1: 48-67.
Clark, Edgar Rogie. “Negro Folk Music in America.” The Journal of American Folklore. Jul.-Sep., 1951. Vol. 64, No. 253: 281-287.
Cumbo, Clarissa and Marion Cumbo. “The Symphony of the New World.” The Black Perspective in Music. Autumn, 1975. Vol. 3, No. 3: 312-330.
Floyd, Jr., Samuel A. “Black Music in the Driscoll Collection.” The Black Perspective in Music. Autumn, 1974. Vol. 2, No. 2: 158-171.
“Francis Johnson (1792-1844).” The Black Perspective in Music. Bicentennial Number, July 1976. Vol. 4, No. 2: 208-212.
Holly, Ellistine Perkins. “Black Concert Music in Chicago, 1890 to the 1930s.” Black Music Research Journal. Spring 1990. Vol. 10, No. 1: 141-149.
Mack, Dana. “Multicultural Disharmonies.” City Journal Spring 1992, Vol. 2 No. 2.
Martin, Denis-Constant. “Filiation of Innovation? Some Hypothese to Overcome the Dilemma of Afro-American Music’s Origins.” Black Music Research Journal. Spring, 1991. Vol. 11, No. 1: 19-38.
McGinty, Doris Evans. “That You Came so Far to See Us”: Coleridge-Taylor in America.” Black Music Research Journal. Autumn, 2001. Vol. 21, No. 2: 197-234.
National Bureau of Economic Research. Goldin, Claudia and Ceceilia Rouse. Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians. Massachusetts: NBER Working Paper Series, 1997.
Ostendorf, Berndt. “Celebration or Pathology? Commodity or Art? The Dilemma of African-American Expressive Culture.” Black Music Research Culture. European Perspectives on Black Music. Autumn, 2000. Vol. 20, No. 2: 217-236.
Ruhe, Pierre. “Growing Musicians, One Note at a Time. ASO program: Aiding diversity, one note at a time.” The Atlanta Journal-Constitution 19 October 2003: M1.
Sands, Rosita M. “A Survey of Unpublished Materials Focusing on the Pedagogy of Afro-American Music in General Music Education.” Black Music Research. Autumn, 1988. Vol. 8, No. 2: 237-248.
Self, Geoffrey. “Coleridge-Taylor and the Orchestra.” Black Music Research Journal. Samuel Coleridge-Taylor. Autumn, 2001. Vol. 21, No. 2: 261-282.
Southern, Eileen. “Frank Johnson of Philadelphia and His Promenade Concerts.” The Black Perspective in Music. Spring, 1977. Vol. 5, No. 1: 3-29.
Sullivan, Lester. “Composers of Color of Nineteenth-Century New Orleans: The History behind the Music.” Black Music Research Journal. 1988. Vol. 8, No. 1: 51-82.
Tagg, Philip. “Open Letter: ‘Black Music’, ‘Afro-American Music’ and ‘European Music.’ Popular Music. Vol. 8, No. 3, African Music (Oct., 1989): 285-298.
Taylor, Frederick Jerome. “Black Musicians in “The Philadelphia Tribune”, 1912-20.” The Black Perspective in Music. 1990. Vol. 18, No. 1/2: 127-140.
Walton, Lester A., et al. “Black-Music Concerts in Carnegie Hall, 1912-1915.” The Black Perspective in Music. Spring, 1978. Vol. 6, No. 1: 71-88.
Warfield, William. “The Keynote Address.” The Black Perspective in Music. Special Issue: Black American Music Symposium 1985. Winter, 1986. Vol. 14, No. 1: 7-12.
Wilson, Olly. “The Black-American Composer and the Orchestra in the Twentieth Century.” The Black Perspective in Music. Special Issue: Black American Music Symposium 1985. Winter, 1986. Vol. 14, No. 1: 26-34. |
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